Goa 2019 - Top 40 Hits Best Of Progressive Psy Trance EDM & Psychedelic Electronic Dance (2018)

December 14, 2018, 10:47 am

≫ Next: Бела Барток, Кароль Шимановский, Игорь Стравинский, Освальдо Голихов, Леонард Бернстайн - дирижёр Саймон Рэттл, LSO (2018)

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Artist: VA
Title Of Album: Goa 2019 - Top 40 Hits Best Of Progressive Psy Trance EDM & Psychedelic Electronic Dance
Label: EDM Records
Catalog#: EDM 249
Style: Goa Trance, Psy Trance
Date: 13 December, 2018
Format: MP3
Quality: 320 kbps / 44100Hz / Joint Stereo
Tracks: 40
Total Time: 05:18:40 min
Size: 739 mb

TrackList:

01. Shakta & Astro-D - Lepton Head (Astro-D remix Album edit) 08:44
02. Xaile - Mind Flow 08:01
03. Siam & Ion Vader & Cactus Arising - 1000 Waves 08:03
04. Zopmanika & InnerSelf - The Origin Of The Universe 09:11
05. Somnesia & Kobaia & Somnesia - Light Particles (Somnesia remix) 07:46
06. Triceradrops - Doom 08:06
07. Try2fly - Travelling Without Moving 06:57
08. Wizack Twizack - Targaryen Night 07:26
09. Ufology & Hipno - Multidimensional Traveller 07:42
10. Yar Zaa - Space Calling 07:16
11. Zumbo - The Dark Galaxy 07:48
12. Tripsurfer - Dwarf Spider 07:43
13. Tlamanik - Pale Blue Dot 07:40
14. Mind Echo - Road Of Spice 08:26
15. Sunrazers - Time Up 08:35
16. Stereologic & Mind In Trance - Expansion Of Love 06:15
17. Sonic Effects & Stereologic - Connection 06:53
18. Trinodia - Infekterad Plast 08:09
19. Subivk - Aurora 07:23
20. The Control Zeds - Robot Strike 08:49
21. Theseus - Space Glider 06:26
22. Psychedelic Quest - Spiritual Atmosphere 08:50
23. Spiritualight & Space Shock - La Planta Maestra (Space Shock remix) 06:06
24. Tetuna - Knowledge (New mix) 08:08
25. Vimana - Sun Gazing 08:23
26. Valid8 - Rescue Situation 08:20
27. Tetrium - Twister 07:04
28. Spectral Touch - Kurupt Moonrock 08:34
29. Subliminal System - Frogs In My Brain 07:14
30. Tribal Highlander - Sihir Kang Magang 07:32
31. Turn The Doll - Mars 08:11
32. Triscele - Infrantik 05:22
33. Galaxy Dust Project - Let's Go Light 11:42
34. Zweep - Oneness 07:13
35. Superoxide - Retra 08:56
36. Sychovibes - Fluodelik 10:06
37. Tottem - Sunna 09:19
38. Thirsty Amigo - Women's Day 07:12
39. Terapeutica - Pleiadi 10:16
40. Goa Luni - Go South 06:34

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Бела Барток, Кароль Шимановский, Игорь Стравинский, Освальдо Голихов, Леонард Бернстайн - дирижёр Саймон Рэттл, LSO (2018)

December 14, 2018, 10:59 am

≫ Next: «От там-тама до органа»

≪ Previous: Goa 2019 - Top 40 Hits Best Of Progressive Psy Trance EDM & Psychedelic Electronic Dance (2018)

Edgaras Montvidas tenor
Chris Richards clarinet
Katia and Marielle Labèque pianos
Gonzalo Grau Latin percussion
Raphael Seguinier Latin percussion
London Symphony Chorus
Simon Halsey chorus director
London Symphony Orchestra
Sir Simon Rattle conductor
13 Dec 2018, Barbican Hall, London

BARTÓK Hungarian Peasant Songs
SZYMANOWSKI Harnasie
СТРАВИНСКИЙ Эбеновый концерт
OSVALDO GOLIJOV arr GONZALO GRAU Nazareno for two pianos and orchestra
BERNSTEIN Prelude, Fugue and Riffs

Продолжительность: 01:39:20
mp4 2.39 ГБ, 1920 x 1080, AAC, 44.1 КГц

Многотомный RAR архив (распаковка: 7zip 18.05 или WinRAR 5.50) на ЯндексДиск. Переход на страницу загрузки файла левой кнопкой мыши. Если с файлом что-то не в порядке, пожалуйста, сообщайте в ЛС

Bartók, Szymanowski, Stravinsky → Bartók, Szymanowski, Stravinsky

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«От там-тама до органа»

December 14, 2018, 10:59 am

≫ Next: Mago De Oz - 30 Anos 30 Canciones [2CD] (2018)

≪ Previous: Бела Барток, Кароль Шимановский, Игорь Стравинский, Освальдо Голихов, Леонард Бернстайн - дирижёр Саймон Рэттл, LSO (2018)

Абонемент № 39. «Что таится в музыке?»
Интерактивный образовательный проект
6 января 2019 года
Малый зал консерватории
Начало концерта в 14:00

«От там-тама до органа»
Автор проекта и ведущий – Денис Писаревский

Исполнители:
Leggiero orchestra, художественный руководитель и главный дирижер –
Джереми Уолкер
Денис Писаревский (орган, клавесин)
Елизавета Данилина (фортепиано)
Павел Бессонов (там-там)
Екатерина Лазарева (арфа)

Генри Пёрселл (1659 – 1695)
Волюнтари для двойного органа ре-минор

Жан-Филлип Рамо (1683 – 1764)
«Прялка»
«Курица»
«Менуэты»
«Дикари»
из сборника «Новые сюиты пьес для клавесина»

Клод Дебюсси (1862 – 1918)
«Остров радости» для фортепиано

Татьяна Чудова (1944*)
«Там-там - танец» для там-тама соло

Клод Дебюсси
«Танцы» для арфы и струнного оркестра
I. «Священный танец»
II. «Светский танец»

Густав Холст (1874 – 1934)
Сюита Святого Павла для струнного оркестра
I. Жига
II. Остинато
III. Интермеццо
IV. Финал (The Dargason)

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Mago De Oz - 30 Anos 30 Canciones [2CD] (2018)

December 14, 2018, 11:18 am

≫ Next: Leonard Bernstein - Strauss, Jr: Waltzes - Strauss, Sr: Radetzky March (2018).VS.MP3

≪ Previous: «От там-тама до органа»

???????????: Mägo De Oz
??????: Spain
??????: 30 Anos 30 Canciones [2CD]
????: Folk Metal | Power Metal | Hard Rock
????????: Warner Music Spain [0190295519230]
???: 2018
??????: FLAC (*tracks + .cue,log, covers)
??????: 1.07Gb
??????: Turbobit | GigaPeta (3% ?? ??????????????)

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Leonard Bernstein - Strauss, Jr: Waltzes - Strauss, Sr: Radetzky March (2018).VS.MP3

December 14, 2018, 11:31 am

≫ Next: Bernstein - Strauss: Also sprach Zarathustra, Op. 30 & Till ... (2018).VS.MP3

≪ Previous: Mago De Oz - 30 Anos 30 Canciones [2CD] (2018)

Leonard Bernstein - Strauss, Jr: Waltzes - Strauss, Sr: Radetzky March (2018).VS.MP3
1:16:14 | MP3 CBR 320kbps | 175 mb
Classical | Label: Sony Classical
M201803394

01. The Blue Danube Waltz, Op. 314
02. Vienna Blood Waltz, Op. 354
03. Perpetuum mobile, Op. 257
04. Tritsch-Tratsch-Polka, Op. 214
05. Tales from the Vienna Woods Walzer, Op. 325
06. The Emperor Waltz, Op. 437
07. Voices of Spring, Op. 410
08. Artist's Life Walzer, Op. 316
09. Auf der Jagd, Op. 373
10. Roses from the South, Op. 388 (Rosen aus dem Suden)
11. Radetsky March, Op. 228

[Image: xOR7YbH.png]

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Bernstein - Strauss: Also sprach Zarathustra, Op. 30 & Till ... (2018).VS.MP3

December 14, 2018, 11:31 am

≫ Next: The Roam Compilation Vol.3 (2018)

≪ Previous: Leonard Bernstein - Strauss, Jr: Waltzes - Strauss, Sr: Radetzky March (2018).VS.MP3

Bernstein - Strauss: Also sprach Zarathustra, Op. 30 & Till Eulenspiegels lustige Streiche, Op. 28 & Don Juan, Op. 20 (2018).VS.MP3
1:09:48 | MP3 CBR 320kbps | 161 mb
Classical | Label: Sony Classical
M201803395

01. Also sprach Zarathustra, Op. 30: Einleitung
02. Also sprach Zarathustra, Op. 30: Von den Hinterweltlern
03. Also sprach Zarathustra, Op. 30: Von der großen Sehnsucht
04. Also sprach Zarathustra, Op. 30: Von den Freuden und Leidenschaften
05. Also sprach Zarathustra, Op. 30: Das Grablied
06. Also sprach Zarathustra, Op. 30: Von derWissenschaft
07. Also sprach Zarathustra, Op. 30: Der Genesende
08. Also sprach Zarathustra, Op. 30: Ziemlich langsam - schnell
09. Also sprach Zarathustra, Op. 30: Das Tanzlied
10. Also sprach Zarathustra, Op. 30: Nachtwandlerlied
11. Also sprach Zarathustra, Op. 30: Langsam
12. Till Eulenspiegels lustige Streiche, Op. 28
13. Don Juan, Op. 20 - Tondichtung nach Mikolaus Lenau

[Image: xOR7YbH.png]

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The Roam Compilation Vol.3 (2018)

December 14, 2018, 11:47 am

≫ Next: Фердинанд Рис - Концерт для фортепиано с оркестром № 8 и 9 (Lane)

≪ Previous: Bernstein - Strauss: Also sprach Zarathustra, Op. 30 & Till ... (2018).VS.MP3

Artist: VA
Title Of Album: The Roam Compilation Vol.3
Label: Roam Recordings
Catalog#: ROM 068
Style: Disco, Nu Disco
Date: 14 December, 2018
Format: MP3
Quality: 320 kbps / 44100Hz / Joint Stereo
Tracks: 25
Total Time: 02:56:14 min
Size: 404 mb

TrackList:

01. Zakmina - Digital Burn (Fruedenthal remix) 10:10
02. Low Manuel - Fishbome (Curses remix) 08:41
03. Roliva & Technicism - Neumatico (Pino remix) 05:26
04. Ali X, Ximena & Palomo - Pastillitas 08:09
05. JP Soul - Bacchanal (Hardway Bros remix) 06:57
06. Zakmina - Don't Laugh 07:07
07. IA±igo Vontier, Roman & Castro - Smog 06:21
08. Man2.0 - The Absolute Pain Of Not Being In Your Arms (Jason Peters remix) 06:12
09. Ali X, Ximena & Palomo - Pastillitas (Cabaret Nocturne remix) 06:18
10. Sunmantra - When You Bite My Lips 05:40
11. AIMES - Devious Maneuvers (Steve Cook remix) 07:19
12. Zakmina - Digital Burn 06:05
13. Mijo, Local Suicide - Edo Kai Tora (Sascha Funke remix) 09:09
14. Jac The Disco - Inversions (Lauer remix) 06:18
15. AIMES - Machination 08:04
16. Sunmantra - Esoteric (Timothy Clerkin remix) 06:56
17. Ali X, Ximena & Palomo - Fuel Your Passion (Rodion remix) 05:56
18. Ton Globiter - Equillibrium (Connor remix) 05:19
19. John Parsley - Schlanke Socke 06:56
20. IA±igo Vontier, Roman & Castro - CallejAnn (Timothy J Fairplay remix) 06:32
21. Shiny Objects - Lights Of Fire (Man Power remix) 08:11
22. Sunmantra - When You Bite My Lips (Fabrizio Mammarella remix) 05:58
23. Mijo, Local Suicide - Ganz Falsch (Simple Symmetry remix) 06:52
24. JP Soul - Might As Well (Thomass Jackson remix) 06:24
25. Dawn Again & Rothmans - Fern World (Eddie C's Red Room remix) 09:01

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Фердинанд Рис - Концерт для фортепиано с оркестром № 8 и 9 (Lane)

December 14, 2018, 12:56 pm

≫ Next: Giacomo Puccini - Tosca / Джакомо Пуччини - Тоска (Teatro dell’Opera di Roma - 2015)

≪ Previous: The Roam Compilation Vol.3 (2018)

The Romantic Piano Concerto Vol.75

Ferdinand Ries
Piano Concerto no. 8 in A Flat, Op. 151
Piano Concerto no. 9 in G minor, Op. 177
Introduction & Polonaise, Op. 174

Piers Lane, piano
The Orchestra Now
Leon Botstein

FLAC:
RiesPianoCons89LaneFLAC.rar

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Giacomo Puccini - Tosca / Джакомо Пуччини - Тоска (Teatro dell’Opera di Roma - 2015)

December 14, 2018, 1:57 pm

≫ Next: Soulful Evolution Records The Best Of 2018

≪ Previous: Фердинанд Рис - Концерт для фортепиано с оркестром № 8 и 9 (Lane)

Floria Tosca - Oksana Dyka

Mario Cavaradossi - Stefano La Colla

Barone Scarpia - Roberto Frontali

Angelotti - William Corrò

A Sacristan - Domenico Colaianni

Spoletta - Saverio Fiore

Sciarrone - Daniele Massimi

A Jailer - Riccardo Coltellacci

A Sheperd boy - Marta Pacifici

Orchestra and Chorus of Teatro dell’Opera di Roma

Conductor - Donato Renzetti

Director - Alessandro Talevi

MP-4, 1920x1080, 2200 kbps

AAC, 126 kbps, 44.1 kHz

1,88 GB

ССЫЛКА: https://drive.google.com/file/d/10bU6FQuj8DIUsPrVe-jAYicKwiIC2epp/view?usp=sharing

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Soulful Evolution Records The Best Of 2018

December 14, 2018, 2:49 pm

≫ Next: Мириам Гайд - Концерт для фортепиано с оркестром № 1 и 2 (Hyde)

≪ Previous: Giacomo Puccini - Tosca / Джакомо Пуччини - Тоска (Teatro dell’Opera di Roma - 2015)

Artist: VA
Title Of Album: Soulful Evolution Records The Best Of 2018
Label: Soulful Evolution
Catalog#: SER 082
Style: Soulful House
Date: 14 December, 2018
Format: MP3
Quality: 320 kbps / 44100Hz / Joint Stereo
Tracks: 25
Total Time: 02:46:09 min
Size: 384 mb

TrackList:

01. Distant People - Blessings (feat Leah) 08:00
02. Daniele Baldi - Question My Love (original mix) 06:16
03. Manjit - Your Destiny (feat Leah (UK) 07:18
04. Distant People - Get A Grip (feat Deli Rowe) 06:11
05. Mikey G - All My Love (2018 extended mix) 08:49
06. Rick Marshall - This Night (original mix) 05:57
07. Daniele Baldi - Let It Go (original mix) 05:45
08. Preslava Peicheva - Midnight People (Chujo remix) 07:00
09. Daniele Baldi - Catching My Breath (original mix) 06:03
10. Frankstar presents Karla Brown - With You (original mix) 06:21
11. Perfection - Back To The Fire (original mix) 06:33
12. Terence Toy - Why Dont You Do Right (feat Pris - OskiDJ Main mix) 06:07
13. Daniele Baldi - Another Life (original mix) 06:24
14. Rhythmic Groove - Talkin Bout Me (feat Darian Crouse) 07:42
15. Digital Moverz - Home (feat Leah) 06:01
16. Manjit - Think It Through (feat Liliana Fay & Deepa Rai) 06:00
17. Smooth Ensemble - My Love (original mix) 06:22
18. Daniele Baldi - Hypnotized (original mix) 05:33
19. Smooth Ensemble - Lie Machine (original mix) 05:26
20. Rhythmic Groove - Take It Back (feat Darian Crouse) 05:37
21. Ian Faze - These Feelings (feat Anthony Poteat) 06:48
22. Manjit - Release (feat Anthony Poteat) 06:18
23. Preslava Peicheva - The One (Chujo remix) 07:55
24. Manjit - Free Your Body (feat Eaze) 07:24
25. Distant People - Blessings (feat Leah - Francois A remix) 08:07

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Мириам Гайд - Концерт для фортепиано с оркестром № 1 и 2 (Hyde)

December 14, 2018, 2:57 pm

≫ Next: Jazz - Stanley Clarke (1951- ) - Live 1976-1977

≪ Previous: Soulful Evolution Records The Best Of 2018

Miriam Hyde
(1913 – 2005)

Piano Concerto No. 1 in E-Flat Minor
Piano Concerto No. 2 in C-Sharp Minor
Happy Occasion Overture
Village Fair

Miriam Hyde, piano
Sydney Symphony Orchestra
Geoffrey Simon
West Australian Symphony Orchestra
Dobbs Franks

FLAC:
HydePianoConsFLAC.rar

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Jazz - Stanley Clarke (1951- ) - Live 1976-1977

December 14, 2018, 3:49 pm

≫ Next: Ida Haendel - 91st Birthday Tribute

≪ Previous: Мириам Гайд - Концерт для фортепиано с оркестром № 1 и 2 (Hyde)

Algumas informações biográficas sobre Stanley Clarke: "Clarke nasceu na Filadélfia. Aprendeu a tocar baixo na escola, pois chegou atrasado no dia em que seriam distribuídos instrumentos musicais para o aprendizado dos alunos, e o único que sobrou foi o baixo acústico. Formou-se no Ensino Médio na Roxborough High School in Philadelphia, e gradou-se em Música pela Philadelphia Musical Academy, absorvida pela University of the Arts em 1985. Em 1971, Clarke mudou-se para Nova York, onde começou a trabalhar com muitos músicos famosos como Horace Silver, Art Blakey, Dexter Gordon, Gato Barbieri, Joe Henderson, Chick Corea, Pharoah Sanders, Gil Evans e Stan Getz. Nestes primeiros trabalhos, Stanley Clarke mostra uma faceta pouco conhecida de sua arte: sua ávida adesão à Cientologia, em várias faixas de seus primeiros LP's ele faz referências a L. Ron Hubbard". Não deixe de ouvir. Uma boa apreciação!

Stanley Clarke (1951- ) - Live 1976-1977

01. School Days 7:10
02. Lopsy Lu 8:18
03. Quiet Afternoon 7:04
04. Silly Putty 5:55
05. Dayride 9:25
06. Bass Folk Song No. 3 13:32
07. The Magician 5:57
08. Desert Song 7:30
09. Vulcan Princess 3:25

Stanley Clarke – electric bass guitar, acoustic bass, piccolo bass
Gerry Brown – drums
Ray Gomez – electric guitar
Peter Robinson – organ, ARP String Ensemble, Fender Rhodes, Mini-Moog bass
John McLaughlin – acoustic guitar
James Tinsley – trumpet, flugelhorn, piccolo trumpet
Al Harrison – trumpet, flugelhorn, piccolo trumpet, slide whistle
Bob Malach – tenor saxophone, flute
Alfie Williams – soprano, alto, & baritone saxophones, flute
Darryl Munyungo Jackson – percussion
David Sancious – piano, Mini-Moog, Poly Moog, Fender Rhodes, organ

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Ida Haendel - 91st Birthday Tribute

December 14, 2018, 4:00 pm

≫ Next: STAATSOPER DE VIENA 2018/2019: MADAMA BUTTERFLY (MARTÍNEZ-CARÈ-NAKANI-BERMÚDEZ-LAURENZ;GIELEN-BIGNAMINI)

≪ Previous: Jazz - Stanley Clarke (1951- ) - Live 1976-1977

Recordings honoring Ida Haendel, violinist (1928- ) on her 91st birthday...

Edward Elgar
VIOLIN CONCERTO

Ida Haendel, violin
London Philharmonic Orchestra
dir : Sir Adrian Boult

EMI ASD 3578 180 gr LP reissue (stereo), [P] 1978
LP rip: 96 kHz, 24 bit (see details below)
FLAC files, scans

The audio chain I use to rip LPs: (1) the LPs are cleaned using a VPI H!-16 record cleaning machine, using TTVJ Vinyl-Zyme Gold cleaning fluid, (2) ripped on a Nakamichi Dragon CT self-centering turntable with integral tonearm and Ortofon cartridge, (3) processed by a Korg DS-DAC-10R (RIAA setting), (4) then recorded and edited using AudioGate 4, Adobe Audition (and rarely iZotope RX) software.

Ida%2BHaendel%2B-%2BIda%2BHaendel%2Bplay

BAROQUE TRANSCRIPTIONS

Corelli, Nardini, Tartini, Vitali

Ida Haendel, violin

Geoffrey Parsons, piano

Testament SBT-1258 (stereo)

Original recording [P] 1977, remastered for CD 2002

FLAC files, logs, scans

Ida%2BHaendel%2B-%2BPopular%2BEncores.jp

POPULAR ENCORES

Paganini, Schubert, Sarasate, Ravel, Dvorak, Copland,

Tartini, Mendelssohn, Weber, Halffter, Bartok

Ida Haendel, violin

Geoffrey Parsons, piano

Testament SBT-1259 (stereo)

Original recording [P] 1979, remastered for CD 2002

FLAC files, logs, scans

J.S. BACH: SONATAS AND PARTITAS

FOR SOLO VIOLIN

Ida Haendel, violin

Testament SBT-2090 (2 stereo CDs)

Recorded 1995, [P] 1996

FLAC files, logs, scans

IDA HAENDEL PLAYS BRAHMS AND TCHAIKOVSKY

* Brahms: Violin Concerto in D, Op. 77
** Tchaikovsky: Violin Concerto in D, Op. 35

* London Symphony Orchestra, Sergiu Celibidache [P] 1955
** Royal Philharmonic Orchestra, Eugene Goossens [P] 1958

Testament SBT-1038 mono [P] 1994
FLAC files, logs, scans

IDA HAENDEL PLAYS BRUCH AND BEETHOVEN

Bruch: Violin Concerto No. 1 in G minor, Op. 26 [P] 1948

Beethoven: Violin Concerto in D major, Op.61 [P] 1951

Philharmonia Orchestra

dir: Rafael Kubelik

Testament SBT-1083 mono [P] 1996

FLAC files, logs, scans

IDA HAENDEL ON PRISTINE CLASSICAL

* BEETHOVEN: Violin Sonata No. 8 in G, Op.30, No.3
** DVORAK: Violin Concerto
* ALBENIZ: España, Op. 165, No. 3

* Noel Mewton-Wood, piano [P]1941
** National Symphony Orchestra, dir: Karl Rankl [P] 1947

Pristine Classical PASC 135, 308 [P] 2008, 2011
FLAC files

Previously shared on MIMIC: Sibelius VIOLIN CONCERTO - Paavo Berglund

http://meetinginmusic.blogspot.com/2018/05/ida-haendel-plays-sibelius.html

* * * *

Ida Haendel, CBE (born 15 December 1928) is a Polish-British violinist.

Born in 1928 to a Polish Jewish family in Chełm, her talents were evident when she picked up her sister’s violin at the age of three. Major competition wins paved the way for success. Performing the Beethoven Violin Concerto, she won the Warsaw Conservatory's Gold Medal and the first Huberman Prize in 1933. At the age of seven she competed against towering virtuosos – the likes of Oistrakh and Neveu – to become a laureate of the first Henryk Wieniawski Violin Competition in 1935.

These accolades enabled her to study with the esteemed pedagogues Carl Flesch in London and George Enescu in Paris. During World War II she played in factories and for British and American troops. In 1937 her London debut under the baton of Sir Henry Wood brought her worldwide critical acclaim, and began a lifelong association with the Proms, where she has appeared 68 times.

Haendel has made annual tours of Europe, and also appeared regularly in South America and Asia. Living in Montreal from 1952 to 1989, her collaborations with Canadian orchestras made her a key celebrity of Canadian musical life. Performing with the London Philharmonic in 1973, she was the first Western soloist invited to China following the Cultural Revolution.[6] Although she worked particularly with Sergiu Celibidache, she was also associated with Sir Thomas Beecham, Sir Adrian Boult, Sir Eugene Goossens, Sir Malcolm Sargent, Charles Munch, Otto Klemperer, Sir Georg Solti, Vladimir Ashkenazy, Bernard Haitink, Rafael Kubelík and Simon Rattle, with whom she recorded the Elgar and Sibelius violin concertos, available on Testament SBT 1444.

In 1993, she made her concert début with the Berliner Philharmoniker. In 2006 she performed for Pope Benedict XVI at the former Nazi concentration camp Auschwitz-Birkenau. Later engagements include a tribute concert at London's National Gallery in honour of Dame Myra Hess's War Memorial Concerts, an appearance at the Sagra Musicale Malatestiana Festival in 2010, and a performance of Max Bruch's Violin Concerto No. 1 in Miami with the Royal Philharmonic Orchestra.

Ida Haendel has lived in Miami, Florida for many years and is actively involved in the Miami International Piano Festival. She is represented by Patrons of Exceptional Artists.

Her major label recordings have earned critical praise, particularly her performance of the Sibelius Concerto which elicited a fan letter from its composer: "I congratulate you on the great success, but most of all I congratulate myself, that my concerto has found an interpreter of your rare standard". The Sibelius Society awarded her the Sibelius Medal in 1982.

Ida Haendel has said that she has always had a passion for German music. Her recording career began on 10 September 1940 for Decca, initially of short solo pieces and chamber works. In April 1945, she recorded both the Tchaikovsky and Mendelssohn concertos followed in 1947 by the Dvořák concerto. Her recording career spans nearly 70 years for major labels including EMI and Harmonia Mundi. In 1948-49 she recorded Beethoven's Violin Concerto, with Rafael Kubelik conducting the Philharmonia Orchestra. Other acclaimed recordings are her renditions of the Brahms Violin Concerto (including one with the London Symphony Orchestra conducted by Sergiu Celibidache...Celibidache's last studio recording)...and Tchaikovsky's with the National Symphony Orchestra conducted Basil Cameron.

Among her later recordings were the Sonatas and Partitas for solo violin, BWV1001-1006 by J S Bach, recorded at Studio 1 Abbey Road, London in 1995 recorded in analogue and issued by Testament.

She is equally passionate about the music of the 20th century, including Béla Bartók, Benjamin Britten and William Walton. Among her premiere performances have been Luigi Dallapiccola's Tartiniana Seconda, and Allan Pettersson's Violin Concerto No. 2, which was dedicated to her. Paying special tribute to her teacher George Enescu, her Decca recording of his Violin Sonata with Vladimir Ashkenazy in 2000 earned her a Diapason d'Or.

Haendel's highly emotive performances have inspired a generation of new violinists, including Anne-Sophie Mutter and Maxim Vengerov.

In August 2012 she was Honorary Artist at the Cambridge International String Festival. She is a regular adjudicator for violin competitions, including the Sibelius, the Carl Flesch, the Benjamin Britten, and the International Violin Competition. She has returned to her native Poland to judge the Henryk Wieniawski Violin Competition in Poznań on a number of occasions, and was Honorary Chairwoman in 2011.

WIKIPEDIA

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STAATSOPER DE VIENA 2018/2019: MADAMA BUTTERFLY (MARTÍNEZ-CARÈ-NAKANI-BERMÚDEZ-LAURENZ;GIELEN-BIGNAMINI)

December 14, 2018, 4:15 pm

≫ Next: An Elliott Sharp moment

≪ Previous: Ida Haendel - 91st Birthday Tribute

Torno a la temporada de la Staatsoper de Viena, a la seva rutina de qualitat i a les seves produccions exasperadament encartonades, impròpies d’un teatre de primer nivell. Avui parlo de Madama Butterfly, que té com a principal al·licient la Cio-Cio-San de la soprano porto-riquenya Ana María Martínez, que si en el teatre té problemes de projecció, escoltada en una transmissió sense problemes de volums i cobertures, per tant sense cobriments orquestrals, ens ofereix una interpretació bella i intensa, potser […]

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An Elliott Sharp moment

December 14, 2018, 4:56 pm

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≪ Previous: STAATSOPER DE VIENA 2018/2019: MADAMA BUTTERFLY (MARTÍNEZ-CARÈ-NAKANI-BERMÚDEZ-LAURENZ;GIELEN-BIGNAMINI)

From Dispersion, a new Mode CD.

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Jazz - Art Pepper (1925-1982) - Smack Up

December 14, 2018, 5:30 pm

≫ Next: Гэвин Локли - Симфония Австралии, Баллады Буша (Weymark)

≪ Previous: An Elliott Sharp moment

Baita disco de jazz! Algumas informações sobre a lenda Art Pepper: "Art Pepper nasceu em Gardena, Califórnia, mas viveu vários anos nos montes de Echo Park, em Los Angeles. Iniciou a sua carreira musical nos anos 40, tocando nas orquestras de Benny Carter e de Stan Kenton. Entre 1944 e 1946, cumpre o serviço militar. Na década seguinte, Pepper torna-se um dos músicos principais do jazz da costa oeste dos EUA, juntamente com Chet Baker, Gerry Mulligan, Shelly Manne, entre outros. Ao mesmo tempo que cumpria o serviço militar, Pepper consumia heroína, o que levou a várias interrupções na sua carreira, e alguns períodos na prisão, nos anos 50 e 60. Estes períodos na sua vida, influenciam os seus trabalhos, levando-o a adotar um som mais pesado, característico de John Coltrane. Entre 1969 e 1971, passou algum tempo em Synanon, um grupo de reabilitação para toxicodependentes. Após iniciar um tratamento de metadona, em meados dos anos 70, Pepper voltou às gravações, editando diversos álbuns".

Art Pepper (1925-1982) -

01 - Smack Up
02 - Las Cuevas de Mario
03 - A Bit of Basie
04 - How Can You Lose
05 - Maybe Next Year
06 - Tears Inside
07 - Solid Citizens [Take 33]
08 - Solid Citizens [Take 37]

Art Pepper — alto saxophone
Jack Sheldon — trumpet
Pete Jolly — piano
Jimmy Bond — bass
Frank Butler — drums

Você pode comprar este disco na Amazon

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Гэвин Локли - Симфония Австралии, Баллады Буша (Weymark)

December 14, 2018, 5:54 pm

≫ Next: Florent Schmitt - Psaume XLVII; etc. (Thierry Fischer)

≪ Previous: Jazz - Art Pepper (1925-1982) - Smack Up

Gavin Lockley
Symphony of Australia, for voice & orchestra
Ballads of the Bush

Gavin Lockley, baritone
Sydney Symphony Orchestra
Brett Weymark

FLAC:
https://www.file-upload.net/gal-257774/oigm1i/1.html

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Florent Schmitt - Psaume XLVII; etc. (Thierry Fischer)

December 14, 2018, 7:09 pm

≫ Next: Florent Schmitt - Suites from Antoine et Cléopâtre; Symphony No. 2 (Sakari Oramo)

≪ Previous: Гэвин Локли - Симфония Австралии, Баллады Буша (Weymark)

Information

Composer: Florent Schmitt

(01) Psaume XLVII, Op. 38
(05) Suite sans esprit de suite, Op. 89
(10) La tragédie de Salomé, Op. 50

Christine Buffle, soprano
BBC National Chorus and Orchestra of Wales
Thierry Fischer, conductor

Date: 2007
Label: Hyperion
https://www.hyperion-records.co.uk/dc.asp?dc=D_CDA67599

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Review

Hyperion’s panoramic aural perspective, warmly detailed in quieter moments and tumultuously filled at the frequently frenzied, makes a best sonic case for these overloaded blockbusters, the glistening, profound orchestral capture rendering Florent Schmitt’s fin de siècle contrivance of luridly empurpled passages with varieties of violet and mauve, so to speak, as seen through smog in a Los Angeles sunset. That is, these winningly brioso accounts belong in any Schmitt collection, while the engaging swagger of the Suite sans esprit de suite is a net discographic gain. But it must also be said that as one goes back, and sound gathers hiss and graininess, performances become tauter, more telling, more surely idiomatic. For instance, Marek Janowski’s 1990 tilt at Salomé and the Psalm with Sharon Sweet and the Radio France Chorus and Orchestra (Apex 62764, Fanfare 30: 3), while similar in approach, is brisker and more bracing. Jean Martinon’s goose-stepping quick march in his 1972 go at Psalm XLVII , with the ORTF orchestra (nla EMI 749748), is bracingly brutal in a manner that leaves Fischer seeming to wallow; while Fischer’s sagging through the Psalm ’s sensuous midsection taxes Christine Buffle’s attempt to spirit up and sustain a putatively orientalizing rapture in her long solo (difficult, in any case, given Schmitt’s vapid, unmemorable melodizing) where Andrea Guiot, for Martinon, despite her recessed placement, manages this chore with aplomb at a marginally more pressing pace.

In La tragédie de Salomé , Fischer realizes Schmitt’s many garish effects with glowing assurance, only to be upstaged by the nonpareil Paul Paray in his 1958 go with the Detroit Symphony (Mercury 434 336) in which expressiveness of detail within a hair-grasping sweep leaves Fischer’s forces seeming to stagger and mumble. And if the composer’s own 1930 direction of the Straram Concerts Orchestra (EMI/Arkiv 54840) isn’t quite the last word in helter-skelter cataclysm—Fischer’s timings are most within a few seconds of Schmitt’s—it nevertheless evinces a plasticity and detailed animation one is unlikely to hear from contemporary bands. But comparisons are always invidious, and to state them at all is to overstate. The current issue is generally splendid, graced with sympathetic, richly informed notes by Calum MacDonald, and enthusiastically recommended.

-- Adrian Corleonis, FANFARE

More reviews:
ClassicsToday ARTISTIC QUALITY: 10 / SOUND QUALITY: 10
http://www.musicweb-international.com/classrev/2007/Aug07/Schmitt_Salome_CDA67599.htm
http://www.classicalsource.com/db_control/db_cd_review.php?id=4627
http://www.classical.net/music/recs/reviews/h/hyp67599a.php
https://www.allmusic.com/album/florent-schmitt-psaume-xlvii-la-trag%C3%A9die-de-salom%C3%A9-suite-sans-esprit-de-suite-mw0001570942
https://www.audaud.com/florent-schmitt-psalm-xlvii-suite-sans-esprit-de-suite-the-tragedy-of-salome-christine-buffle-soprano-psalmbbc-national-orchestra-and-chorus-of-wales-thierry-fischer-chandos/
https://www.amazon.com/Schmitt-Psaume-XLVII-tragedie-Salome/dp/B000PMGSB8

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Florent Schmitt (28 September 1870 – 17 August 1958) was a French composer. He was part of the group known as Les Apaches. At the age of 19 he entered the Paris Conservatoire, where he studied with Gabriel Fauré, Jules Massenet, Théodore Dubois, and Albert Lavignac. Schmitt wrote 138 works with opus numbers, in most of the major forms of music, except for opera. His most famous pieces are La tragédie de Salome and Psaume XLVII (Psalm 47). His own style, recognizably impressionistic, owed to the example of Debussy, and also had distinct traces of Wagner and Richard Strauss.
https://en.wikipedia.org/wiki/Florent_Schmitt

***

Thierry Fischer (born 28 September 1957) is a Swiss orchestra conductor and flutist. He studied flute with Aurèle Nicolet and began his musical career as Principal Flute in Hamburg and at the Zurich Opera. His conducting career began in his 30s, conducting his first concerts with the Chamber Orchestra of Europe. Fischer was principal conductor of the Ulster Orchestra (2001-2006) and the BBC National Orchestra of Wales (2006-2012). Outside of Europe, he has served as chief conductor of the Nagoya Philharmonic Orchestra (2008-2011) and music director of the Utah Symphony (since 2009).
https://en.wikipedia.org/wiki/Thierry_Fischer
http://www.thierryfischer.com/

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Florent Schmitt - Suites from Antoine et Cléopâtre; Symphony No. 2 (Sakari Oramo)

December 14, 2018, 7:09 pm

≫ Next: In Flames - Lunar Strain + Subterranean (1995)

≪ Previous: Florent Schmitt - Psaume XLVII; etc. (Thierry Fischer)

Information

Composer: Florent Schmitt

(01) Orchestral Suites from 'Antoine et Cléopâtre', Op. 69
(07) Symphony No. 2, Op. 137

BBC Symphony Orchestra
Sakari Oramo, conductor

Date: 2018
Label: Chandos
https://www.chandos.net/products/catalogue/CHAN%205200

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Review

Nearly four decades separate the works here but they are very recognisably by the same composer: Florent Schmitt, though eclectic, was remarkably consistent. Overall it’s a disc, lavishly recorded (and sounding especially fine in hi res guise), that offers a persuasive snapshot of a composer hardly over-represented on disc beyond a few key works.

And I’m not sure the two Shakesperean suites have ever sounded more luxurious, either. Composed to accompany a grand, self-financed 1920 show by Ida Rubinstein, this is music that is heavy with sultry eroticism, with dashes of other French composers of the time as well as, to my ears, the sonic ripeness of Richard Strauss’s 1914 Josephslegende.

Sakari Oramo’s new account is more leisurely than JoAnn Falletta’s recent Naxos recording with the Buffalo Philharmonic and he certainly gives the score space to convey its allure – from the languorous shimmers of the opening portrait of the two lovers through to the ominously bellicose ‘Le camp de Pompée’. The night in the queen’s palace is sensuously evoked: ‘soft shivers from muted violins against delicately agitated cymbal and sparkling celesta immediately conjure velvet night’, as Paul Griffiths puts it in his exemplary booklet note. The eroticism of ‘Orgie et Danses’, meanwhile, is always carefully controlled, even when, halfway through, it all collapses into a big sweaty heap of exhausted brass chords.

The Second Symphony dates from the very final years of Schmitt’s life – it was premiered in 1958, just months before he died. It’s a fine, serious work, full of invention. Its first movement, chattily swapping material between sections of the orchestra, gains considerable momentum from the character of its simple opening motif. The slow movement is noble, gravely seductive and quietly moving. Only the finale perhaps risks losing its way among rather too much jauntiness.

Again, as compared with the main rival – from Leif Segerstem – Oramo is distinctly leisurely: he takes over two minutes longer in that second movement, marked Lent sans excès. But he’s convincing and persuasive in this work too, and helped by superior playing and engineering – advantages that certainly pay dividends in these scores. Recommended.

-- Hugo Shirley, Gramophone

More reviews:
http://www.musicweb-international.com/classrev/2018/Feb/Schmitt_Cleopatre_CHSA5200.htm
http://www.musicweb-international.com/classrev/2018/Apr/Schmitt_Cleopatre_CHSA5200.htm
http://www.classicalsource.com/db_control/db_cd_review.php?id=15228
https://www.allmusic.com/album/schmitt-suites-from-antoine-et-cl%C3%A9op%C3%A2tre-symphony-no-2-mw0003152541
https://www.amazon.co.uk/Schmitt-Orchestral-Symphony-Orchestra-Chandos/dp/B079BJTWTY

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***

Sakari Oramo (born October 26, 1965 in Helsinki) is a Finnish conductor. He started his career as a violinist and concertmaster of the Finnish Radio Symphony Orchestra (FRSO), and studied conducting with Jorma Panula at the Sibelius Academy. From 1998 to 2008, Oramo was Music Director of the City of Birmingham Symphony Orchestra, with which he championed the music of John Foulds in concerts and recordings. He was Principal Conductor of the FRSO (2003-2012), and is currently Chief Conductor of the Royal Stockholm Philharmonic Orchestra (since 2008) and the BBC Symphony Orchestra (since 2013).
https://en.wikipedia.org/wiki/Sakari_Oramo

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In Flames - Lunar Strain + Subterranean (1995)

December 14, 2018, 7:30 pm

≫ Next: Kirsten Flagstad: Icon - The Supreme Wagnerian Soprano (2010)

≪ Previous: Florent Schmitt - Suites from Antoine et Cléopâtre; Symphony No. 2 (Sakari Oramo)

???????????: In Flames
??????: Sweden
??????: Lunar Strain + Subterranean

????????! ? ??? ??? ???? ??? ????????? ???????? ??????.

????: Melodic Death Metal
??? ??????: 1995
????????: (CD-Rip) Toy's Factory (TFCK-88737)
??????: 955 kbps FLAC (image. cue. log. cd scans)
??????: 444.52 Mb
?????????????: Turbobit/Gigapeta

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