Paul Hardcastle - Hardcastle VIII (2018)

November 13, 2018, 10:19 am

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Artist: Paul Hardcastle
Title Of Album: Hardcastle VIII
Release Date: 2018
Location: United Kingdom
Label: Trippin 'N' Rhythm Records (TNR100)
Genre: Smooth Jazz, Future Jazz
Quality: FLAC (image+.cue+covers)
Length: 51:48 min
Tracks: 12
Total Size: 363 MB (+5%)

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Meliah Rage - Warrior (2014)

November 13, 2018, 10:19 am

≫ Next: Рубинштейн, Шостакович - Фортепианные квинтеты - Pihtipudas Quintet

≪ Previous: Paul Hardcastle - Hardcastle VIII (2018)

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???????????: Meliah Rage
??????: USA
??????: Warrior
????: Power Metal | Thrash Metal
????????: Metal On Metal Records [MOMR14045]
???: 2014
??????: FLAC (*image + .cue,log, covers)
??????: 401Mb
??????: Turbobit | GigaPeta (3% ?? ??????????????)

Рубинштейн, Шостакович - Фортепианные квинтеты - Pihtipudas Quintet

November 13, 2018, 10:34 am

≫ Next: Роберт Шуман, Джон Кейдж, Пьер Булез, Клод Дебюсси - дирижёр Мишель Табачник, Мишель Берофф, Orchestre de la Radio Flamande (2006)

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Антон Рубинштейн - Фортепианный квинтет соль минор, Op. 99  

Димитрий Шостакович - Фортепианный квинтет соль минор, соч. 57

Pihtipudas Kvintetti: Piano Quintets by A.Rubinstein & D.Shostakovich

Anton Rubinstein (1829-1894)

Piano Quintet in G minor, Op. 99   (1876)  (49:07)

01. 1.Molto lento - Allegro moderato   14:14

02. 2.Moderato   8:57

03. 3.Variations   10:37

04. 4.Moderato   15:17

Dmitri Shostakovich (1906-1975)

Piano Quintet in G minor, Op. 57   (1940)  (30:45)

05. I. Prelude: Lento   4:21

06. II. Fugue: Adagio   9:04

07. III. Scherzo: Allegretto   3:33

08. IV. Intermezzo: Lento   6:13

09. V. Finale: Allegretto   7:31

Pihtipudas Quintet

Ella Untamala (piano), Jaakko Untamala (piano), 

Gotz Bernau (violin), Antti Meurman (violin), 

Ulla Kekko (viola), Juha Malmivaara (violoncello, cello)

rec. 1996

Новая ссылка:

flac (tracks) 349 mb | mp3 (320) 180 mb | scans

https://cloud.mail.ru/public/5qtP/vNJNTswZK

Бывший материал участника (solo)

Роберт Шуман, Джон Кейдж, Пьер Булез, Клод Дебюсси - дирижёр Мишель Табачник, Мишель Берофф, Orchestre de la Radio Flamande (2006)

November 13, 2018, 10:34 am

≫ Next: Estreno de "La del manojo de rosas"

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Michel Béroff, piano
Orchestre de la Radio Flamande
Michel Tabachnik, direction
13 mai 2006, Cité de la musique

Robert Schumann, Concerto pour piano en la mineur op.54
John Cage, Concerto pour piano
Pierre Boulez, Livre pour cordes, version pour orchestre à cordes Ia et Ib du "Livre pour quatuor"
Claude Debussy, Iberia, extrait des "Images pour orchestre"

Продолжительность: 01:39:32
mp4  752 МБ, 720 x 406, AAC, 48 КГц

Файлы на ЯндексДиск. Переход на страницу загрузки файла левой кнопкой мыши. Если с файлом что-то не в порядке, пожалуйста, сообщайте в ЛС

Robert Schumann, John Cage, Pierre Boulez, Claude Debussy & MP3

Estreno de "La del manojo de rosas"

November 13, 2018, 10:35 am

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La del manojo de rosas

Sainete lírico en dos actos dividido en tres cuadros cada uno Música: Pablo Sorozábal Letra: Francisco Ramos de Castro y Anselmo C. Carreño Estrenada el 13 de Noviembre de 1934 en el Teatro Fuencarral de Madrid

No corté mas que una rosa

Canta: Pilar Lorengar

ASCENSIÓN No corté más que una rosa, en el jardín del amor... Con lo bonita que era, ¡qué pronto se deshojó! El querer con que soñaba, que desengaño sufrió. Rosal que yo cuidaba, que pronto se marchitó.

Virtuosi Brunensis - Rossini: Maometto II (2018).VS.MP3

November 13, 2018, 10:45 am

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Virtuosi Brunensis - Rossini: Maometto II (2018).VS.MP3
MP3 CBR 320 kbps - 404 Mb | 02:55:11
Classical, Opera | Label: Naxos Records
M201803018

1. Maometto II, Act I (Ed. H. Schellevis): Introduction. Al tuo cenno, Erisso, accolti
2. Maometto II, Act I (Ed. H. Schellevis): Calbo, tu m'odi
3. Maometto II, Act I (Ed. H. Schellevis): Ah! Che invan su questo ciglio
4. Maometto II, Act I (Ed. H. Schellevis): Pietoso Ciel…
5. Maometto II, Act I (Ed. H. Schellevis): No, tacer non degg'io
6. Maometto II, Act I (Ed. H. Schellevis): Ohimè! qual fulmine
7. Maometto II, Act I (Ed. H. Schellevis): Che avvenne?…
8. Maometto II, Act I (Ed. H. Schellevis): Misere!… or dove… ahimè!
9. Maometto II, Act I (Ed. H. Schellevis): Giusto Ciel, in tal periglio
10. Maometto II, Act I (Ed. H. Schellevis): Ahi, Padre!
11. Maometto II, Act I (Ed. H. Schellevis): Figlia… mi lascia
12. Maometto II, Act I (Ed. H. Schellevis): Dal ferro, dal foco
13. Maometto II, Act I (Ed. H. Schellevis): Sorgete e in sì bel giorno
14. Maometto II, Act I (Ed. H. Schellevis): Compiuta ancor del tutto - Appressatevi, oh prodi
15. Maometto II, Act I (Ed. H. Schellevis): Giusto ciel, che strazio è questo! - Ah, no!
16. Maometto II, Act II (Ed. H. Schellevis): Introduction. È follia sul fior degli anni
17. Maometto II, Act II (Ed. H. Schellevis): Ahimè! - T'arresta, e ascolta…
18. Maometto II, Act II (Ed. H. Schellevis): Anna… tu piangi?
19. Maometto II, Act II (Ed. H. Schellevis): Ma… qual tumulto ascolto?
20. Maometto II, Act II (Ed. H. Schellevis): A che più tardi ancor?
21. Maometto II, Act II (Ed. H. Schellevis): All'invito generoso
22. Maometto II, Act II (Ed. H. Schellevis): Sieguimi, o Calbo
23. Maometto II, Act II (Ed. H. Schellevis): Non temer. d'un basso affetto
24. Maometto II, Act II (Ed. H. Schellevis): Oh, come al cor soavi - Padre…
25. Maometto II, Act II (Ed. H. Schellevis): In questi estremi istanti
26. Maometto II, Act II (Ed. H. Schellevis): Alfin compiuta è la metà dell'opera
27. Maometto II, Act II (Ed. H. Schellevis): Nume, cui 'l sole è trono
28. Maometto II, Act II (Ed. H. Schellevis): Taccion le preci omai
29. Maometto II, Act II (Ed. H. Schellevis): Sventurata! Fuggir sol ti resta
30. Maometto II, Act II (Ed. H. Schellevis): Vinto i Veneti han dunque?
31. Maometto II, Act II (Ed. H. Schellevis): Quella morte che s'avanza
32. Maometto II, Act II (Ed. H. Schellevis): Sì, ferite. il chieggo, il merto
33. Maometto II, Act II (Ed. H. Schellevis): Madre, a te che sull'empiro
34. Maometto II, Act II (Ed. H. Schellevis): Già tra le tombe?



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Duanduan Hao - Satie: Piano Works (2018).VS.MP3

November 13, 2018, 10:45 am

≫ Next: Davide Alogna & Roberto Trainini - Castelnuovo-Tedesco: Violin Concerto No. 3 (2018)

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Duanduan Hao - Satie: Piano Works (2018).VS.MP3
MP3 CBR 320 kbps - 199 Mb | Digital booklet | 01:24:51
Classical | Label: Naxos Records
M201803019

1. Allegro (1884)
2. Leit-motiv du Panthée
3. Verset laïque et somptueux
4. Fugue-valse
5. 5 Grimaces pour Le songe d'une nuit d'été (Arr. D. Milhaud for Piano): No. 1, Préambule
6. 5 Grimaces pour Le songe d'une nuit d'été (Arr. D. Milhaud for Piano): No. 2, Coquecigrue
7. 5 Grimaces pour Le songe d'une nuit d'été (Arr. D. Milhaud for Piano): No. 3, Chasse
8. 5 Grimaces pour Le songe d'une nuit d'été (Arr. D. Milhaud for Piano): No. 4, Fanfaronnade
9. 5 Grimaces pour Le songe d'une nuit d'été (Arr. D. Milhaud for Piano): No. 5, Pour sortir - Retraite
10. Sans titre, peut-être pour la messe des pauvres "Modéré"
11. Pousse l'amour: Chanson andalouse
12. La belle excentrique (Version for Piano): II. Marche franco-lunaire
13. La belle excentrique (Version for Piano): III. Valse du mystérieux baiser dans l'œil
14. Uspud (Version for Piano): Act I
15. Uspud (Version for Piano): Act II
16. Uspud (Version for Piano): Act III
17. Tendrement (Version for Piano)
18. Le fils des étoiles, 3 Préludes: Act I. Prélude "La vocation"
19. Le fils des étoiles, 3 Préludes: Act II. Prélude "L'Initiation"
20. Le fils des étoiles, 3 Préludes: Act III. Prélude "L'Incantation"
21. Sonatine bureaucratique: I. Allegro
22. Sonatine bureaucratique: II. Andante
23. Sonatine bureaucratique: III. Vivace
24. Nocturne No. 6 (Completed by R. Orledge)
25. Le bœuf Angora (Version for Piano)
26. Le fils des étoiles, Act I: Gnossienne No. 7
27. L'enfance de Ko-Quo (Recommandations maternelles): I. Ne bois pas ton chocolat avec tes doigts
28. L'enfance de Ko-Quo (Recommandations maternelles): II. Ne souffle pas dans tes oreilles
29. L'enfance de Ko-Quo (Recommandations maternelles): III. Ne mets pas ta tête sous ton bras
30. Poudre d'or



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Davide Alogna & Roberto Trainini - Castelnuovo-Tedesco: Violin Concerto No. 3 (2018)

November 13, 2018, 10:45 am

≫ Next: Mixtape #51 : Silence (Requiem)

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Davide Alogna & Roberto Trainini - Castelnuovo-Tedesco: Violin Concerto No. 3 (2018).VS.MP3
MP3 CBR 320 kbps - 185 Mb | Digital booklet | 01:18:18
Classical | Label: Naxos Records
M201803020

1. Violin Concerto No. 3, Op. 102: I. Drammatico
2. Violin Concerto No. 3, Op. 102: II. Lento - Grave e triste
3. Violin Concerto No. 3, Op. 102: III. Molto moderato (Quasi un'introduzione)
4. String Trio, Op. 147: I. Allegretto grazioso
5. String Trio, Op. 147: Nenia
6. String Trio, Op. 147: III. Vivace (Ritmico e balzante)
7. Sonata for Violin & Cello, Op. 148: I. Lento misterioso
8. Sonata for Violin & Cello, Op. 148: II. Cavatina. Andante
9. Sonata for Violin & Cello, Op. 148: III. Scherzo. Mosso, con spirito - Alla serenata (In 1)
10. Sonata for Violin & Cello, Op. 148: IV. Rhapsody. Introduzione (Liberamente - Quasi improvvisando)



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Mixtape #51 : Silence (Requiem)

November 13, 2018, 11:01 am

≫ Next: El sublime Brahms de los Khachatryan

≪ Previous: Davide Alogna & Roberto Trainini - Castelnuovo-Tedesco: Violin Concerto No. 3 (2018)

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November is a somewhat sombre month, and not only because the days are getting a lot colder and darker here in the UK. This year’s remembrance ceremonies have had extra potency due to the centenary of the end of the First World War, so i’ve taken this as my cue for the next 5:4 mixtape. It’s titled ‘Silence (Requiem)’, though i should stress that i haven’t created it as a commemoration, homage or tribute to anyone or anything specific – … →

The post Mixtape #51 : Silence (Requiem) appeared first on 5:4.

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El sublime Brahms de los Khachatryan

November 13, 2018, 11:16 am

≫ Next: Judith Owen - Here (2006)

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He vuelto a este disco, registrado por el sello Naïve entre julio y agosto de 2012, y de nuevo he quedado por completo maravillado. En él los hermanos Sergey y Lusine Khachatryan interpretan las tres hermosísimas sonatas para violín y piano de Brahms, y lo hacen mejor, e incluso mucho mejor, que otros intérpretes más famosos que han grabado estas partituras.

Haciendo uso de tempi lentos y de un fraseo flexible, natural, rico en inflexiones, matizadísimo en las dinámicas, nuestros artistas ofrecen de la Sonata nº 1 una recreación acariciadora, sensual a más no poder, impregnada de atmósfera a ratos poética, a ratos luminosa, de enorme belleza y emotividad a flor de piel, que aún haciendo hincapié en la poesía íntima de la página ofrece picos de tensión a los que se llega con tanta lógica como incandescencia. Ni de lejos llegan a semejante altura Pauk/Vignoles, Znaider/Bronfman, Zukerman/Barenboim ni Perlman/Barenboim, que son las otras grabaciones con las que he podido comparar.

En la Sonata nº 2 la comparación ha sido con Oistrakh/Richter, Znaider/Bronfman, Pauk/Vignoles, Znaider/Bronfman y Perlman/Barenboim. Magníficas las dos primeras parejas, no así las otras dos; en cualquier caso los Khachatryan nos ofrecen la interpretación más intimista, más cantable, sensual y embriagadora, también la más atenta a la atmósfera, aunque por fortuna no resulta blanda ni deja de ofrecer apasionamiento en los clímax. Para derretorse el violín de Sergey, que dice cada frase con una emotividad y un aliento poético subyugantes.

Vuelven a maravillarnos en la Sonata nº 3 la efusividad del fraseo, el lirismo tierno y al mismo tiempo muy intenso que desprende, la flexibilidad y lógica absoluta del trazo –cuidadísimas las transiciones– y el desarrolladísimo sentido de la atmósfera, todo ello llegando a su culmen en un Adagio prodigioso. Lo que ahora hay que recalcar, dadas las características de la pieza, es el enorme grado de arrebato y extroversión, con carácter no poco escarpado pero manteniendo siempre la más absoluta belleza sonora, que los dos hermanos alcanzan en los movimientos extremos, particularmente en el último, que se beneficia de un sonido muy poderoso y muy brahmsiano por parte de Lusine. Un prodigio, que tampoco alcanzan Oistrakh/Yampolsky –desgarrador a más no poder el violinista– ni las ya citadas parejas de Znaider/Bronfman, Pauk/Vignoles, Znaider/Bronfman y Perlman/Barenboim. Solo se acercan, sin llegar a tan sublime excelsitud, Vengerov y Barenboim en su único acercamiento conjunto a este trilogía. ¡Lástima que no grabaran las otras dos!

No hace fata decir mucho más: el disco de los Khachatryan es de audición total y absolutamente imprescindible.

Judith Owen - Here (2006)

November 13, 2018, 11:59 am

≫ Next: Maria Pia De Vito - Nel Respiro (2002)

≪ Previous: El sublime Brahms de los Khachatryan

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???????????: Judith Owen
??????: Here
??? ??????: 2006
????: Singer-Songwriter / Jazz / Folk
??????: USA (New Orleans, Louisiana)
??????: Lossless: APE (cue+covers+log)
??????: 251.42 Mb
????????: ??? ???
?????? ??: Turbobit | Hitfile | Rapidgator

Maria Pia De Vito - Nel Respiro (2002)

November 13, 2018, 11:59 am

≫ Next: VA - Ministry Of Sound - I Love R&B [3CD] (2017)

≪ Previous: Judith Owen - Here (2006)

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???????????: Maria Pia De Vito
??????: Nel Respiro
??? ??????: 2002
????: Contemporary Jazz
??????: Italy (Naples)
??????: Lossless: APE (cue+covers+log)
??????: 310.80 Mb
????????: ??? ???
?????? ??: Turbobit | Hitfile | Rapidgator

VA - Ministry Of Sound - I Love R&B [3CD] (2017)

November 13, 2018, 11:59 am

≫ Next: Michael Stern, Kansas City Symphonic Orchestra - Britten's Orchestra (2009) SACD

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Artist: Various Artists
Title Of Album: Ministry Of Sound - I Love R&B
Year Of Release: 2017
Label (Catalog#): Ministry Of Sound [MOSCD490]
Genre: R&B, Soul, Pop, Hip-Hop
Quality: FLAC (tracks,cue,log)
Bitrate: Lossless
Time: 3:46:40
Full Size: 1.62 gb
Upload: Turbobit

Michael Stern, Kansas City Symphonic Orchestra - Britten's Orchestra (2009) SACD

November 13, 2018, 2:13 pm

≫ Next: Valery Gergiev, Vienna Philharmonic - Tchaikovsky: Symphony No. 4 (2005) SACD

≪ Previous: VA - Ministry Of Sound - I Love R&B [3CD] (2017)

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Artist: Michael Stern, Kansas City Symphonic Orchestra Title Of Album: Britten's Orchestra Year Of Release: 2009 Label: Reference Recordings Country: Germany Genre: Classical Quality: SACD (*iso) 2.0, 5.1 Time: 60:51 min Full Size: 3,1 Gb (+1%rec.)

Valery Gergiev, Vienna Philharmonic - Tchaikovsky: Symphony No. 4 (2005) SACD

November 13, 2018, 2:13 pm

≫ Next: Herbert von Karajan, Wiener Philharmoniker - Tchaikovsky: Ballet Suites (2014) [Blu-Ray Audio]

≪ Previous: Michael Stern, Kansas City Symphonic Orchestra - Britten's Orchestra (2009) SACD

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Artist: Valery Gergiev, Vienna Philharmonic Title Of Album: Tchaikovsky: Symphony No. 4 Year Of Release: 2005 Label: Philips Classics Country: EU Genre: Classical Quality: SACD (*iso) 2.0, 5.1 Time: 42:27 min Full Size: 3,03 Gb (+1%rec.)

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Herbert von Karajan, Wiener Philharmoniker - Tchaikovsky: Ballet Suites (2014) [Blu-Ray Audio]

November 13, 2018, 2:13 pm

≫ Next: Klaus Tennstedt Edition - Bruckner, W.A. Mozart, Sibelius, J. Haydn, Beethoven (CDs 5, 6, 7 e 8 de 8 - final)

≪ Previous: Valery Gergiev, Vienna Philharmonic - Tchaikovsky: Symphony No. 4 (2005) SACD

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Artist: Herbert von Karajan, Wiener Philharmoniker Title Of Album: Tchaikovsky: Ballet Suites Year Of Release: 2014 Label: Decca Country: Europe Genre: Classical Quality: Blu-ray Audio Video: MPEG-4 AVC Video 2518 kbps 1080p / 23.976 fps / 16:9 Audio1: English / LPCM Audio 2.0 / 192 kHz / 2936 kbps / 24-bit Audio2: English / DTS-HD Master Audio 2.0 / 192 kHz / 3587 kbps / 24-bit Time: 01:09:21 min Full Size: 7,76 Gb

Klaus Tennstedt Edition - Bruckner, W.A. Mozart, Sibelius, J. Haydn, Beethoven (CDs 5, 6, 7 e 8 de 8 - final)

November 13, 2018, 4:14 pm

≫ Next: Catalani LA WALLY - Decca HD remastering

≪ Previous: Herbert von Karajan, Wiener Philharmoniker - Tchaikovsky: Ballet Suites (2014) [Blu-Ray Audio]

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Com esta postagem completamos os oito discos dessa caixa imperdível. Sou fã desses conjuntos que reúnem alguns dos trabalhos dos principais regentes do século XX. Existem inúmeros desses discos. No caso em questão, eu escolhi Klaus Tennstedt pela densidade de suas interpretações. Nestes discos, aparecem nomes de peso do romantismo e do classicismo, que vão de Beethoven a Bruckner. Não deixe de ouvir. Uma boa apreciação!

DISCO 05

01. Symphony No. 3 in D Minor, WAB 103 (1889 Version, Ed. L. Nowak): I. Mäßig bewegt
02. Symphony No. 3 in D Minor, WAB 103 (1889 Version, Ed. L. Nowak): II. Adagio. Bewegt, quasi andante
03. Symphony No. 3 in D Minor, WAB 103 (1889 Version, Ed. L. Nowak): III. Scherzo. Ziemlich schnell
04. Symphony No. 3 in D Minor, WAB 103 (1889 Version, Ed. L. Nowak): IV. Finale. Allegro

DISCO 06

01. Symphony No. 32 in G Major, K. 318: I. Allegro spiritoso
02. Symphony No. 32 in G Major, K. 318: II. Andante
03. Symphony No. 32 in G Major, K. 318: III. Allegro spiritoso
04. Symphony No. 1 in E-Flat Major, K. 16: I. Molto allegro
05. Symphony No. 1 in E-Flat Major, K. 16: II. Andante
06. Symphony No. 1 in E-Flat Major, K. 16: III. Presto
07. Violin Concerto in D Minor, Op. 47: I. Allegro moderato
08. Violin Concerto in D Minor, Op. 47: II. Adagio di molto
09. Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto

DISCO 07

01. Sinfonia concertante in A Major, K. Anh. 104
02. Bella mia fiamma, addio, K. 528
03. Cor sincerum amore plenum
04. Symphony No. 64 in A Major, Hob. I:64 "Tempora mutantur": I. Allegro con spirito
05. Symphony No. 64 in A Major, Hob. I:64 "Tempora mutantur": II. Largo
06. Symphony No. 64 in A Major, Hob. I:64 "Tempora mutantur": III. Menuet. Allegretto
07. Symphony No. 64 in A Major, Hob. I:64 "Tempora mutantur": IV. Finale. Presto

DISCO 08

01. Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": I. Allegro con brio
02. Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai
03. Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": III. Scherzo. Allegro vivace
04. Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": IV. Finale. Allegro molto
05. Coriolan Overture, Op. 62

Symphonieorchester des Bayerischen Rundfunks
NDR Sinfonieorchester 
Deutsches Symphonie-Orchester Berlin
Klaus Tennstedt, regente

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Catalani LA WALLY - Decca HD remastering

November 13, 2018, 4:18 pm

≫ Next: VA - Ministry Of Sound: Old Skool [3CD] (2016)

≪ Previous: Klaus Tennstedt Edition - Bruckner, W.A. Mozart, Sibelius, J. Haydn, Beethoven (CDs 5, 6, 7 e 8 de 8 - final)

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Alfredo Catalani (1854-1893)

LA WALLY

Renata Tebaldi, Mario del Monaco
Justino Díaz, Piero Cappuccilli
Lydia Marimpietri, Alfredo Mariotti

Coro Lirico di Torino
L'Orchestre National de l'Opéra de Monte-Carlo
dir : Fausto Cleva

Original stereo recording: June 1968, Salle Alcazar, Monte Carlo
Decca Analog Golden Age Volume Three Blu-Ray audio [P] 2016  
High resolution audio files (24 bit/192 kHz)  
prepared from the original master tapes at Abbey Road Studios 
Digital remaster at Universal Music Mexico

FLAC files, scans, no libretto 





Catalani was by instinct and temperament a post-Verdian (even an anti-Vcrdian) composer whose short life ended just as the post-Verdian age began. It brought him not triumph but despair: Mascagni's Cavalleria Rusticana (first performed just as Catalani began work on La Wally, his last opera), Puccini's Manon Lescaut (whose success put La Wally into the shade and embittered the final months of Catalani's life), even Verdi's own Falstaf seemed more convincing models for the future than the one he had been labouring to perfect over 20 years and five previous operas.

A century later we don't have to be too hard on him for proposing a path that wasn't taken. He was abused for writing 'German operas' (four of his six stage works have romanticized Teutonic or Nordic settings) and he does have moments of atmospheric scoring that recall Weber but in La Wally, his maturest score, he is obviously and fundamentally an Italian who knew more about French opera than most of his compatriot contemporaries. He had, after all, spent perhaps as much as a year in Paris before going to the Milan Conservatoire, a year during which he could have heard most of Meyerbeer's grander operas, one of Massenet's, two by Ambroise Thomas and Weber's Der Freischutz.

Think of a blend of those influences (fairly well digested) plus long-lined Italian lyricism and a sort of hectic, driven vigour (is it too fanciful to attribute part of this to Catalani's by now galloping consumption?) and you will have a pretty good idea of the style of La Wally. Plenty of local colour, both in the obvious operatic sense (a huntsmen's chorus, a recurrent yodelling song—the work is set in the Austrian Alps) and, more impressively, in the evocations of cold in Act 4: piccolo and double-bass four octaves apart in the prelude, icily thin scoring in the opening scene on the snow-bound mountain peak, strangely Shostakovich-like chords in the soprano's despairing scena—Catalani's orchestral writing, though coarse now and then, has vitality and sometimes real poetry to it. Despite efforts not to be, La Wally is basically a number opera, and inevitably the big solo scenes stick most obstinately in the memory: the heroine's famous ''Ebben? ne andro lontana'', of course, but she has arias of similar melodic appeal in each of the other three acts (her baritone suitor and the tenor who first scornfully spurns her then learns to love her too late have their most characterful moments in duet with her); the melodic language is generous, with here and there a brusque, striking angularity. And in moments like the quite ingeniously complex ensemble in Act 2 (quartet and chorus) and above all in the sequence of not-quite-arias and notquite-declamatory-recitatives of the Fourth Act an individual voice begins to assert itself.

An immature voice, a crude and awkward one at times, and Catalani's characters are mere emblems with no depth or roundness to them. But the music of Wally herself can be filled out by a voice with Tebaldi's thrilling heft into a larger-than-life emblem of wild, proud independence, and when that happens you suddenly notice the skill with which the mood of her Act 1 aria is carried over into the following scene: she has cast her spell, and the act ends magically. Indeed in Tebaldi's performance, in Cappuccilli's as the decent but out-of-his-depth-in-waters-as-murky-as-these suitor (Wally has fallen for the tenor who ignored and then humiliated her) and in Cleva's lapel-seizing urgency Catalani's alternative route to postVerdian opera looks as though it might have been worth developing: what a pity he didn't live to do so. Stentorian belting from Del Monaco, decent support from the others and an excellent if rather bright recording with some endearing period sound effects.'

Michael Oliver (Gramophone)

VA - Ministry Of Sound: Old Skool [3CD] (2016)

November 13, 2018, 5:27 pm

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Artist: Various Artists
Title Of Album: Ministry Of Sound: Old Skool
Year Of Release: 2016
Label (Catalog#): Ministry Of Sound [MOSCD444]
Genre: UK Garage, R&B, Ragga, UK Funky
Quality: FLAC (tracks,cue,log)
Bitrate: Lossless
Time: 3:50:46
Full Size: 1,54 gb
Upload: Turbobit

Ken Nishikiori - Aria

November 13, 2018, 6:05 pm

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