Andrew Wright - The Operatic Pianist, Vol. 2 (2017) |VS| FLAC

September 16, 2017, 12:36 pm

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Andrew Wright - The Operatic Pianist, Vol. 2 (2017) |VS| FLAC
M090118894

Artist: Andrew Wright
Title: The Operatic Pianist, Vol. 2
Year Of Release: 2017
Label: Divine Art
Genre: Classical, Piano
Quality: flac lossless +booklet
Total Time: 01:07:42
Total Size: 236 mb

01. Réminiscences de Norma, Op. 20 (After V. Bellini)
02. Il pirata: Col sorriso d'innocenza (Arr. A. Wright for Piano)
03. Andante Finale for the Left Hand, Op. 13 (Paraphrase on Lucia di Lammermoor by Donizetti)
04. Fantaisie sur des motifs de Moise, Op. 33
05. Aus Lohengrin, S. 446 (After Wagner): No. 3, Lohengrins Verweis
06. Paraphrase on Il Trovatore's "Miserere" (After G. Verdi)
07. 12 Transcriptions, Op. 6: No. 1, Cavatine de Robert le diable
08. La mort de Thaïs (After J. Massenet)
09. Phantasiestuck uber motive aus rienzi Santo Spirito cavaliere, S. 439 (After Wagner)

In the mid to late 19th century, piano transcriptions allowed access to the classics for the majority of people who could not attend opera or orchestral performances. Franz Liszt was of course one such 'grand opera’ specialist, alongside composers such as Sigismund Thalberg. Andrew Wright is a rarity, in that he is both an expert interpreter and also arranger of operatic themes, and as well as an astonishing virtuoso, enabling the drama of the scene to be preserved.

Following the critical praise given to the original ‘Operatic Pianist’ album (DDA 25113), this set includes transcriptions and fantasies by Wright, Thalberg, Liszt, Kullak, Leschetizky and Jaëll and amazingly a fine work by Saint-Saëns receiving its world premiere recording.

Intense, dramatic and full of action this will appeal to both opera lovers and piano afficionados.


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Maria Callas - Maria Callas - Live & Alive (2017) |VS| FLAC

September 16, 2017, 12:36 pm

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Maria Callas - Maria Callas - Live & Alive (2017) |VS| FLAC
M090118895

Artist: Maria Callas
Title: Maria Callas - Live & Alive
Year Of Release: 2017
Label: Warner Classics
Genre: Classical, Opera
Quality: flac lossless
Total Time: 02:12:05
Total Size: 505 mb

01. Tosca, Act 2: "Vissi d'arte" (Tosca)
02. Tosca, Act 3: "E non giungono" (Tosca, Cavaradossi, Carceriere)
03. Tosca, Act 3: "Come è lunga l'attesa!" (Tosca)
04. Lucia di Lammermoor, Act 1: "Regnava nel silenzio alta la notte e bruna" (Lucia, Alisa)
05. Lucia di Lammermoor, Act 1: "Quando rapito in estasi" (Lucia)
06. Lucia di Lammermoor, Act 3: "Il dolce suono mi colpì di sua voce! ... Ardon gli incensi" (Lucia, Raimondo, Normanno, Chorus)
07. Lucia di Lammermoor, Act 3: "Spargi d'amaro pianto" (Lucia, Raimondo, Chorus, Enrico)
08. Anna Bolena, Act 2: "Piangete voi? D'onde tal pianto?" (Anna, Chorus)
09. Anna Bolena, Act 2: "Al dolce guidami castel natio" (Anna)
10. Anna Bolena, Act 2: "Qual mesto suon?" (Anna, Hervey, Percy, Rochefort, Smeton, Chorus)
11. Anna Bolena, Act 2: "Cielo, a' miei lunghi spasimi" (Anna, Smeton, Percy, Rochefort, Chorus)
12. Anna Bolena, Act 2: "Coppia iniqua, l'estrema vendetta" (Anna, Smeton, Percy, Rochefort, Chorus)
13. Aida, Act 1: "Ritorna vincitor!" (Aida)
14. Aida, Act 2: "O Re, pei sacri numi ... Gloria all'Egitto" (Radamès, Amneris, Amonasro, King, Aida, Chorus, Ramfis)
15. Norma, Act 1: "Casta Diva" (Norma, Chorus, Oroveso)
16. La Traviata, Act 1: "Libiamo, ne' lieti calici" (Chorus, Violetta, Flora, Marchese, Gastone, Alfredo, Barone, Dottore)
17. La Traviata, Act 1: "È strano! È strano!" (Violetta)
18. La Traviata, Act 1: "Ah, fors'è lui che l'anima" (Violetta)
19. La Traviata, Act 1: "Follie! follie! Delirio vano è questo!" (Violetta)
20. La Traviata, Act 1: "Sempre libera" (Violetta, Alfredo)
21. La Traviata, Act 3: "Addio, del passato" (Violetta)
22. Parsifal, WWV 111, Act 2: "Ho visto, il figlio sul materno sen" (Kundry)
23. La Sonnambula, Act 2: "Ah! non credea mirarti" (Amina, Elvino)
24. Iphigénie en Tauride, Wq. 46, Act 2: "O sventurata Ifigenia" (Iphigénie, Chorus)
25. Poliuto, Act 1: "Di quai soavi lagrime" (Paolina)
26. Il Pirata, Act 1: "Sorgete; è in me dover" (Imogene, Itulbo, Adele)
27. Il Pirata, Act 1: "Lo sognai ferito, esangue" (Imogene, Adele, Chorus)
28. Il Pirata, Act 1: "Quando a un tratto il mio consorte" (Imogene, Chorus, Itulbo, Adele, Gualtiero)
29. Il Pirata, Act 1: "Sventurata, anch'io deliro" (Imogene, Adele, Chorus)
30. Andrea Chénier, Act 3: "La mamma morta" (Maddalena, Gérard)
31. Turandot, Act 2: "In questa Reggia" (Turandot, Chorus, Calaf)

Né aux Etats-Unis de parents grecs et de retour en Grèce avec sa mère à l'âge de 13 ans, Maria Callas fait ses premiers pas sur scène en 1941 à l'Opéra d'Athènes dans La Tosca. Repérée par Zenatello à New York, elle est engagée pour La Gioconda, montée à Vérone, rôle qui propulse littéralement sa carrière. Callas devient dès lors une superstar de l'Opéra italien, endossant les rôles de Brünnhilde, Aïda ou Isolde, et arpente les planches de La Scala, Chicago et New York et impose sa voix et sa présence scénique dans les livres d'histoire de la musique lyrique, et ce malgré des problèmes de santé vocale récurrents.


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September 16, 2017, 1:13 pm

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Rossini - Stabat Mater

September 16, 2017, 1:17 pm

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Manden mail para el link de esta grabacion: crudaopera@gmail.com

Theodore Gouvy: ELECTRE

September 16, 2017, 4:16 pm

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Théodore Gouvy (1819-1898)
ELECTRE (1886)
Scène dramatique, Opus 85, pour solistes, choeur et orchestre

Pollet, Eloir, Myers, Vanaud
La Psallette de Lorraine, Ensemble vocal Ars Musica
Choeur de l'Opéra de Nancy et de Lorraine
Orchestre Symphonique et Lyrique de Nancy
dir : Pierre Cao

K617092/2 (stereo), [P] 1998, currently out-of-print
FLAC, logs, scans, booklet

Gouvy was born into a French-speaking family in the village of Goffontaine, in the Sarre, a region on the France-Prussia border (now Saarbrücken-Schafbrücke, Germany). Because this region fell under Prussian control shortly before his birth, Théodore Gouvy could not attain French citizenship until the age of 32. He began piano lessons with a private tutor at the age of eight, and was educated in France—Sarreguemines, then Metz—developing a keen interest in Classical Greek culture and in modern languages—not only German, which he spoke fluently, but English and Italian as well. In 1837 he went to Paris to study law, continuing his piano lessons with a pupil of the pianist and composer Henri Herz (1803–1888) and became friendly with Adolphe Adam. This led to further music studies in Paris and Berlin. Unable to pursue music instruction at the Conservatoire de Paris, he took up private courses.

Gouvy was a man of two cultures, divided between France and Germany, from which he drew his inspiration, his characteristics and his force. While to a certain extent he was known and recognized in his lifetime, he fell into obscurity following his death. Gouvy, drawn toward pure instrumental music as opposed to opera, set himself the unenviable task of becoming a French symphonist. It was unenviable because the French, and especially the Parisians, throughout most of the 19th century were opera-mad and not particularly interested in pure instrumental music. It was this disdain for instrumental music in general which led to Gouvy living the last third of his life almost entirely in Germany where he was much appreciated.

During his lifetime, his compositions, and especially his chamber music, were held in high regard and often performed in those countries (Germany, Austria, England, Scandinavia, and Russia) where chamber music mattered. But in France, he never achieved real acclaim. Gouvy was universally acknowledged for being a master of form and for his deft sense of instrumental timbre. Mendelssohn and Schumann were his models and his music developed along the lines one might have expected of those men had they lived longer. Virtually all of his works show that he was a gifted melodist whose music is a joy to hear.

Musicians of the first rank such as Johannes Brahms, Carl Reinecke, and Joseph Joachim, who were familiar with Gouvy's music, held it in high regard.

Hector Berlioz wrote in the Journal des Débats of April 13, 1851: "[t]hat a musician of the importance of M. Gouvy is still not very well known in Paris, and that so many gnats bother the public with their tenacious buzzing, it is enough to confuse and inflame the naive spirits that still believe in the reason and the justice of our musical manners".

Berlioz's favorable reviews had little effect, and Gouvy's music continued to be neglected until the end of the 20th century. In 1994, his Requiem, with its vigorous Dies iræ, was revived by the Lorraine Philharmonic Orchestra under the direction of Jacques Houtmann (who recorded a CD of the work, which appeared the K617 label). Stylistically the composition owes something to Mendelssohn, something to Gounod, and something to Verdi, but remains quietly original despite these influences.

Although his work comprises more than two hundred compositions, including 90 opuses published in his lifetime, it largely remains ignored. In particular, he wrote twenty-four compositions for a full orchestra, including nine symphonies, as well as overtures and variations. Chamber music comprises a large portion of Gouvy's work and accounts in particular for four sonatas in duet form, five trios, eleven quartets, seven quintets, an enormous piano repertoire — for two and four hands — and for two pianos, several scores for wind instrument ensembles, as well as many melodies and Lieder. We also know of five great dramatic cantatas (Aslega, Œdipe à Colone, Iphigénie en Tauride, Électre, and Polyxène), two operas (Le Cid and Mateo Falcone) as well as some large religious works, including a Requiem, a Stabat Mater, a Messe brève, and the cantata Golgotha.

Gouvy was elected to the Académie des Beaux-Arts in Paris in 1894 on the death of Anton Rubinstein, and to the König-Preussische Akademie in Berlin in 1895. He died in Leipzig on 21 April 1898.

WIKIPEDIA

EL QÜESTIONARI IFL DE JESUS (Amfortas)

September 16, 2017, 4:19 pm

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Què dir-vos de l’amic Jesus! Durant molt temps i a  l’inici d’IFL, que es quan va començar la nostra amistat arran d’un inoblidable viatge a Paris, ell i les seves envejables i inoblidables cròniques, sobretot des del MET, van configurar el que encara podeu consultar en la pàgina permanent a IFL, AMFORTAS EL CORRESPONSAL. Ençà d’aquell viatge hem tingut l’oportunitat de compartir algunes entranyables trobades, també amb la magnífica familia que l’envolta, trobades no només operístiques i malgrat que darrerament […]

Giovanne Quartetto Italiano – Струнные квартеты КАМБИНИ, ДОНИЦЕТТИ, ВЕРДИ и «Хризантемы» ПУЧЧИНИ (1989)

September 16, 2017, 4:36 pm

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Джузеппе Камбини

mpc vbr ~276 | covers | 114 MB

Giovanne Quartetto Italiano - String quartets by Cambini, Donizetti, Verdi & Puccini (1989)

Giovanne Quartetto Italiano
ИТАЛЬЯНСКИЕ СТРУННЫЕ КВАРТЕТЫ XVIII-XIX вв.

1-3. Джузеппе КАМБИНИ (1746 – 1825) – Струнный квартет h-moll Ор.40 № 3 (1789) [11:51]
4-7. Гаэтано ДОНИЦЕТТИ (1797 – 1848) – Струнный квартет № 7 f-moll (1819) [17:08]

8-11. Джузеппе ВЕРДИ (1813 – 1901) – Струнный квартет e-moll (1873) [22:45]

12. Джакомо ПУЧЧИНИ (1858 - 1924) – «Хризантемы» для струнного квартета (1890) [6:01]

Giovanne Quartetto Italiano:

Алессандро СИМОНЧИНИ, 1-я скрипка

Луиджи МАЦЦА, 2-я скрипка

Деметрио КОМУЦЦИ, альт

Лука СИМОНЧИНИ, виолончель

Продолжительность:  57’45”
CD of 1989

http://www.fayloobmennik.net/files/go/227539354.html?check=ff7cf5941e084d49e8b8d48bfc3c6f9f&file=7093174

Sonatas for Violoncelo - Kodály, Hindemith & Ligeti

September 16, 2017, 5:28 pm

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Disco de repertório fantástico. A qualidade da interpretação também é digna de nota. São três compositores do século XX. Todos eles foram profundamente relevantes para as mudanças perpetradas na música do século passado, pelas contribuições e pesquisas de cada um deles. Não deixe de ouvir. Uma boa apreciação!

01. Kodaly_ Cello Sonata, Op.8_ I. Allegro maestoso ma appasionato
02. Kodaly_ Cello Sonata, Op.8_ II. Adagio (con grand' expressione)
03. Kodaly_ Cello Sonata, Op.8_ III. Allegro molto vivace
04. Hindemith_ Cello Sonata, Op.25 No.3_ I. Lebhaft, sehr markiert
05. Hindemith_ Cello Sonata, Op.25 No.3_ II. Massig schnell, gemachlich
06. Hindemith_ Cello Sonata, Op.25 No.3_ III. Langsam
07. Hindemith_ Cello Sonata, Op.25 No.3_ IV. Lebhafte viertel
08. Hindemith_ Cello Sonata, Op.25 No.3_ V. Massig schnell
09. Ligeti_ Cello Sonata_ I. Dialogo_ Adagio, rubato, cantabile
10. Ligeti_ Cello Sonata_ II. Capriccio_ Presto con slancio

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Claude Le Jeune - The Treasures of Claude Le Jeune ( Huelgas Ensemble ) 2014

September 16, 2017, 6:39 pm

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https://mp3red.me

https://mp3red.me/album/3177775/the-treasures-of-claude-le-jeune.html

Шёнберг - «Просветлённая ночь», Брамс - Симфония №1 / Герберт фон Караян

September 16, 2017, 9:38 pm

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Arnold Schoenberg (1874-1951)

Verklärte Nacht, Op.4 

(Bearbeitung für Streichorchester 1917, revidiert 1943)

Johannes Brahms (1833-1896)

Sinfonie Nr.1 c-moll, Op.68

Berliner Philharmoniker

Herbert von Karajan

Recorded live at the Royal Festival Hall, October 1988

*   *   *

Flac (tracks) | covers | 357 MB

https://yadi.sk/d/qSx8WSCJ3MwxvD

Масканьи - Сельская честь - Ренато Челлини - 1953

September 16, 2017, 10:38 pm

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Сантуцца - Zinka Milanov,

Туридду - Jussi Björling,

Альфио - Robert Merrill,

Лола - Carol Smith,

Лючия - Margaret Roggero.

RCA Victor Orchestra,

Robert Shaw Chorale,

Renato Cellini.

Recorded at Manhattan Center, NY City, January 1953.

272 Mb

lossless

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Jommelli Il vologeso Bernius 1998

September 16, 2017, 11:18 pm

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Cd.1º Flac.     Cd.2º Flac.     Cd.3º Flac.

Cd.1º Mp3.    Cd.2º Mp3.    Cd.3º Mp3.

Grigory Sokolov - Ludwig van Beethoven, Alexander Sciabin, Boris Arapov (2014)

September 16, 2017, 11:30 pm

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Artist: Grigory Sokolov Title Of Album: Ludwig van Beethoven, Alexander Sciabin, Boris Arapov Year Of Release: 2014 Label: Melodiya Records Country: RU Genre: Classical Quality: FLAC (*image + .cue, log, scans) Bitrate: Lossless Time: 2:09:59 Full Size: 517 MB

Franz Liszt - A Faust Symphony - Boston Symphony Orchestra, Leonard Bernstein (1977/2016) High-Fidelity FLAC Stereo 24bit/96kHz

September 16, 2017, 11:59 pm

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Сomposer: Franz Liszt (1811-1886)
Artist: Boston Symphony Orchestra, Leonard Bernstein
Title: Liszt: A Faust Symphony, S.108
Genre: Classical
Label: © Deutsche Grammophon
Release Date: 1977/2016
Quality: High-Fidelity FLAC Stereo 96kHz/24bit
Source: Qobuz
Duration: 01:16:58
Recorded: 07/1976, Symphony Hall, Boston

“David Gutman's absorbing booklet-note for the Leonard Bernstein release tells how at a Tanglewood concert in 1941 Bernstein scored a triumph in modern American repertoire and Serge Koussevitzky conducted the first two movements of AFaust Symphony. Some 20 years later Bernstein himself made a distinguished recording of the work, faster than this superb 1976 Boston remake by almost five minutes yet ultimately less involving.
The passage of time witnessed not only an easing of tempo but a heightened response to individual characters, be it Faust's swings in mood and attitude, Gretchen's tender entreaties or the unpredictable shadow-play of 'Mephistopheles'. Orchestral execution is first-rate, the strings in particular really showing their mettle (such biting incisiveness), while Bernstein's pacing, although often slower than average, invariably fits the mood. The sound too is far warmer and more lifelike than its rather opaque New York predecessor, although when it comes to the tenor soloist in the closing chorus, Kenneth Riegel is rather strident.” --Gramophone

Franz Liszt - Annees de pelerinage - Lazar Berman (1977/2016) High-Fidelity FLAC Stereo 24bit/96kHz

September 16, 2017, 11:59 pm

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Сomposer: Franz Liszt (1811-1886)
Artist: Lazar Berman
Title: Liszt - Années de pèlerinage
Genre: Classical
Label: © Deutsche Grammophon
Release Date: 1977/2016
Quality: High-Fidelity FLAC Stereo 96kHz/24bit
Source: Qobuz
Duration: 02:55:34
Recorded: May 1977, Residenz, Alter Herkulessaal, Munich, Germany

This triple album set features the complete recording of Liszt's Années de pèlerinage, presented by Russian pianist Lazar Berman. Originally released in 1977 on Deutsche Grammophon, this was one of the earliest complete performances available of Liszt's epic three hour masterpiece.

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Clara Haskil plays Mozart; Robert Casadesus plays Beethoven - Lucerne Festival, Vol. I - Clara Haskil, Philharmonia Orchestra, Otto Klemperer, Robert Casadesus, Wiener Philharmoniker, Dimitri Mitropoulo (2013) High-Fidelity FLAC Stereo 24bit/48kHz

September 16, 2017, 11:59 pm

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Сomposer: Wolfgang Amadeus Mozart (1756-1791), Ludwig van Beethoven (1770-1827)
Artist: Clara Haskil, Philharmonia Orchestra, Otto Klemperer, Robert Casadesus, Wiener Philharmoniker, Dimitri Mitropoulo
Title: Clara Haskil plays Mozart; Robert Casadesus plays Beethoven
Genre: Classical
Label: © Audite Musikproduktion
Series: LUCERNE FESTIVAL Historic Performances, Vol. I
Release Date: 2013
Quality: High-Fidelity FLAC MONO 48kHz/24bit
Source: audite.de
Duration: 01:09:00
Recorded: Kunsthaus, Lucerne, 8 September 1959 (Mozart), 1 September 1957 (Beethoven)

Isaac Stern plays Tchaikovsky and Bartok - Lucerne Festival, Vol. II - Isaac Stern, Schweizerisches Festspielorchester, Lorin Maazel, Ernest Ansermet (2013) High-Fidelity FLAC Stereo 24bit/48kHz

September 16, 2017, 11:59 pm

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Сomposer: Pyotr Ilyich Tchaikovsky (1840-1893), Béla Bartók (1881-1945)
Artist: Isaac Stern, Schweizerisches Festspielorchester, Lorin Maazel, Ernest Ansermet
Title: Isaac Stern plays Tchaikovsky and Bartók
Genre: Classical
Label: © Audite Musikproduktion
Series: LUCERNE FESTIVAL Historic Performances, Vol. II
Release Date: 2013
Quality: High-Fidelity FLAC MONO 48kHz/24bit
Source: audite.de
Duration: 01:09:40
Recorded: Kunsthaus, Lucerne, 23 August 1958 (Tchaikovsky), 8 August 1956 (Bartók)

George Szell conducts Dvorak & Brahms - Lucerne Festival, Vol. III - Bruno Belcik, Czech Philharmonic Orchestra, Schweizerisches Festspielorchester, George Szell (2013) High-Fidelity FLAC Stereo 24bit/48kHz

September 16, 2017, 11:59 pm

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Сomposer: Antonín Dvořák (1841-1904), Johannes Brahms (1833-1897)
Artist: Bruno Belcik, Czech Philharmonic Orchestra, Schweizerisches Festspielorchester, George Szell
Title: George Szell conducts Dvorák & Brahms
Genre: Classical
Label: © Audite Musikproduktion
Series: LUCERNE FESTIVAL Historic Performances, Vol. III
Release Date: 2013
Quality: High-Fidelity FLAC MONO 48kHz/24bit
Source: audite.de
Duration: 01:21:05
Recorded: Dvořák Kunsthaus Lucerne, August 30, 1969, Brahms Kunsthaus Lucerne, August 29, 1962

Rafael Kubelik conducts Bartok - Lucerne Festival, Vol. IV - Dietrich Fischer-Dieskau, Irmgard Seefried, Schweizerisches Festspielorchester, Rafael Kubelik (2014) High-Fidelity FLAC Stereo 24bit/48kHz

September 16, 2017, 11:59 pm

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Сomposer: Béla Bartók (1841–1904)
Artist: Dietrich Fischer-Dieskau, Irmgard Seefried, Schweizerisches Festspielorchester, Rafael Kubelík
Title: Rafael Kubelik conducts Bartok
Genre: Classical
Label: © Audite Musikproduktion
Series: LUCERNE FESTIVAL Historic Performances, Vol. IV
Release Date: 2014
Quality: High-Fidelity FLAC MONO 48kHz/24bit
Source: audite.de
Duration: 01:00:39
Recorded: Kunsthaus Luzern, 15. August 1962

Claudio Abbado conducts Schubert, Beethoven & Wagner - Lucerne Festival, Vol. V - Wiener Philharmoniker, Chamber Orchestra of Europe (2014) High-Fidelity FLAC Stereo 24bit/48kHz

September 16, 2017, 11:59 pm

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Сomposer: Franz Schubert (1797-1828), Ludwig van Beethoven (1770-1827), Richard Wagner (1813-1883)
Artist: Wiener Philharmoniker, Chamber Orchestra of Europe, Claudio Abbado
Title: Claudio Abbado conducts Schubert, Beethoven & Wagner
Genre: Classical
Label: © Audite Musikproduktion
Series: LUCERNE FESTIVAL Historic Performances, Vol. V
Release Date: 2014
Quality: High-Fidelity FLAC STEREO 48kHz/24bit
Source: audite.de
Duration: 01:17:43
Recorded: Lucerne, Kunsthaus, 5 September 1978 (Schubert), 25 August 1988 (Beethoven, Wagner)